Day four was a day full of theatre events at the Adelaide Fringe Festival. Unexpectedly, it became a day that demonstrated the significance of honouring festivals like the Adelaide Fringe – because it’s about celebrating open access for both artists and audiences.
Being an open access festival, Adelaide Fringe does not act as a curator but instead allows any artist or group with a creative idea to participate in being apart of the 31-day arts celebration. The creative team behind WE ARE ANONYMOUS certainly demonstrates this is a open accessibility for artists. WE ARE ANONYMOUS is presented by Ink Spot, a South Australian youth theatre company, who showcase their understanding of the world around them. This show sheds light on recent events surrounding the international phenomenon that was ‘anonymous,’ a group of mover and shakers wanting to change and challenge political norms around the world. Directed by Joanne Hartstone, WE ARE ANONYMOUS is told through a large ensemble of young performers who work together to reveal the consequences of cyber trafficking.
I was thrilled to see this show because so many of the young performers have budding careers ahead of them. They all embodied confidence, focus and passion for the story they were sharing with the audience. Somewhere amongst the group must be the next Geoffrey Rush or Cate Blanchett!
Another important element the Adelaide Fringe Festival celebrates is the ability for artists to develop new works and or new skills. MIRROR is a great example. Performer, Robbie Greenwell presents a series of characters and vignettes that showcase his talent as a character performer. Charming moments and unique surprises sprinkle throughout the performance. Most importantly, at the end of the performance, Greenwell humbly asks the audience to leave feedback from their experience. It becomes apparent that this performer remains within the creative development process and invites his audience in on the journey.
I am looking forward to seeing a future performance of MIRROR to witness the development. For those curios about an artist’s creative process, I highly recommend checking out MIRROR.
BLINK brings artists together in a mentorship capacity, another important element Adelaide Fringe celebrates about the artistic journey. Established performer and producer, Joanne Hartstone works together with several emerging artists to bring British playwright, Phil Porter’s charming love story BLINK to Australian audiences.
In many ways, this production comes together to demonstrate real innovative creativity. Performers Lucy Brewer and Gianluca I. Noble demonstrate superb character development; the set design cleverly provides layers to the staging and to the multiple environments within the scenes; music weaves in and out of the story to emphasise romantic comedy elements throughout.
BLINK is a heart warming, charming and delightful piece of theatre that showcases the hard work of emerging talent and a partnership between established and emerging artists at the Adelaide Fringe Festival.
Lastly, connecting audiences to artists in creative and interactive ways is what makes Adelaide Fringe Festival a successful celebration to the community. NUCLEAR FAMILY is a piece of theatre that does just this. Audiences are invited to choose important outcomes that dictate how NUCLEAR FAMILY unfolds. As audiences are put together into three groups, they are presented with two or more choices to select from that will decide the fate of the story. Within these decisions the groups must explain why they have made these decisions, and then witness the revealing consequences.
NUCLEAR FAMILY is a fun, engaging and interesting theatrical event that allows the audience become part of the storytelling.
For more information about each of these performances, or to purchase tickets, please visit the Adelaide Fringe Festival website.