Review: THE WORLD WITHOUT BIRDS Finds Honour in the Classics

Fables are often forgotten in today’s adult modern world.  But the lessons they offer in their storytelling are invaluable to everyday life.  Writer, Christine Croyden has embraced the classic form of fable and musical theatre in her latest brilliant production THE WORLD WITHOUT BIRDS: A Musical Fable gently reminding its audience how relevant classics remain in our daily lives. 

So as not to give away the cathartic message this particular fable tells, I would rather tell you more about the highlights you can expect from this delightful performance.  Under the direction of Elizabeth Walley a small ensemble of four actors delight the La Mama Courthouse stage playing multiple stock characters in the form of bird species.  Each bird portrays stereotypes like young and naive, old and wise, cunning and territorial or ignorant and cruel.  The audience can relate to these characters either because we see ourselves in them or have encountered such traits throughout our journey.

Playing the “Queen of the Birds,” Margot Knight eloquently captures the paralleling traits of a delicate bird and the delicate inner life of an older woman.  She dances with such emotional delicacy throughout the story finding balance between protecting her own vulnerabilities and standing up defending her personal value.

As a musical, while vocal abilities from cast members vary, it is smart to feature the supporting talent of Charlotte Fox who plays the young princess bird.  Her voice radiates and envelops the courthouse space.  Original music writer, Ella Filar has cleverly given Fox the ability to crescendo into an operatic tonality heightening the plays climax.

What’s truly appealing about this production is Croyden’s writing.  It has a sophisticated ability to honour classic fable storytelling full of poetic imagery that concludes with a cathartic lesson with that of contemporary events.  It is equally delightful to hear the multiple play-of-words throughout the production to birds: ‘birds of a feather,’ ‘bird brain,’ ‘fluff my feathers.’ 

Also appealing is the accompaniment from the 3-piece live band.  The music glues the production together as it plays music that refers to the fluttering lifestyle of birds.  The baseline reminds me of baroque style classical music, which I believe sheds light on the classical and sophisticated style found in Croyden’s writing.

THE WORLD WITHOUT BIRDS: A Musical Fable is playing now at La Mama Courthouse Theatre until November 6th.  To purchase tickets, CLICK HERE